Tuesday, December 16, 2014

Poemas ante el Catafalco: Grief and Renewal by Donna Snyder

Cover art by

Victor Hernández





Donna Snyder has carved out quite a name for herself in El Paso and far beyond.  I first met her not long after she started her Tumblewords workshop in the mid-90s.  In fact, she was still living, working and holding her workshops in Las Cruces. She was introduced to me at a meeting of the Literary Arts committee at the El Paso downtown library. We read our poetry in little casual groups, at coffee houses and at parties at her house and mine.  Her writing was so good I wondered why she wasn't published everywhere.  She simply hadn't sent it out yet.  That has been corrected.  The road is paved for the world to hear now and it is listening.
 
I was honored to write this blurb for her latest book:  "Death is the universal intimate stranger, replacing loved ones with a void. The void cannot be filled but art can rise from agony. Donna writes through her losses, cloaks herself in memories against the darkest nights until eventually she sees the moon brighten up the sky."

From the El Paso Times article by Ramon Renteria: 
Donna Snyder recalls how her new poetry collection, "Poemas ante el Catafalco: Grief and Renewal," came together just about the time she desperately needed some healing.

"I was pretty much incapacitated. Grief can pretty much incapacitate you. And it did for a while," Snyder said. "The only thing I could keep doing was writing."

Snyder spoke in a recent interview about how Chimbarazu Press, a small, independent publisher in New York City, invited her to submit some of her poems soon after her husband, El Paso artist Mario Colín, died this past October at age 54.

Her husband's death rekindled the grief that Snyder had experienced 13 years earlier when her longtime partner Jesus Guzman fell to his death at age 44. Intertwined in all that grief was the loss of her father, other relatives and friends, and one of her favorite dogs.

Snyder also was dealing with health issues and the loss of her professional identity as a lawyer.
"Being a lawyer is a huge element of my self-image," she said. "I never expected to retire early. I expected to work until I died. Not being a lawyer was upsetting to me, and my health issues were upsetting to me."

Snyder put together a manuscript of poems she had written about the men in her life; catastrophes like Hurricane Katrina in New Orleans; immigrants left to die in the desert; and mishaps such as the shooting death of a young goat-herder in Redford, Texas, by a U.S. Marine.

From Donna's newest book, Poemas Ante el Catafalco: Grief and Renewal
"I Am the sound of the Sea"
 


Bio from Red Fez:
Donna Snyder's first full-time job was waiting tables on Route 66. She grew up surrounded by cotton fields her daddy didn't own, in a stucco shotgun shack beside US Hwy 83 in the Texas Panhandle. She worked as a waitress in a jazz cafe in Fort Worth, a blues bar in Austin, and a diner in Houston. Her Poemas ante el Catafalco: Grief and Renewal was released from Chimbarazu Press September 2014. NeoPoiesis Press will publish her poetry collection, Three Sides of the Same Moon, in 2015. Her chap, IAm South, published by VirgoGray Press in 2010, will be reissued as a book in late Fall of 2014. She has read her work in Alaska, California, Colorado, Massachusetts, New Mexico, New York, and Texas. She founded the Tumblewords Project in 1995, and continues to coordinate its free weekly workshops, occasional publications, and frequent performance events in El Paso, Texas. She contributes regularly to VEXT Magazine and Return to Mago.

Wednesday, December 3, 2014

CHIRON Review, # 97



   This 152 page book is issue #97 of Chiron Review.  It contains poems and short stories from 68 literary artists.  Many of us have appeared in publications together over the past 30 years.  So, it's like a party under the covers.  We're so happy to see new work from Robert Cooperman, Rochelle Lynn Holt, Catfish McDaris, Gerald Locklin, Eckhard Gerdes, Charles Harper Webb, Mark Weber and so many others. This book is a treat I dip into from time to time and yes, I found a favorite poem and I will share it with you.

 
 Sing at Unnatural Hours in the Presence of Artificial Light



There are times I have to remind myself

that a bridge is a way to travel over water

not a diving board for suicides.  That airports



aren't just places for departures, but places

for arrivals, and hospitals aren't only

where we go to die, but where we're born.



I'd like to think not a single bomb

was dropped on anyone today, not a single

person was diagnosed with cancer.



Somewhere someone misses you.

A friend remembers something

you once said.  Someone somewhere



thinks you're beautiful.  A man holds

a guitar in his hands.  A couple dances behind

the living room couch mouthing words



they've longed to share with each other.

At this hour only astronomers

and insomniacs find natural,



as the blazing red lights of an ambulance

flicker fear past the window,

I have to remind myself:



it doesn't always mean somebody's

dying in there, sometimes it means

somebody's being saved.



    Clint Margrave



This issue is dedicated to Robert Peters, a talented poet and writer, who so many of us knew and whose work we respected, and still do.   I close this article with a clip from his bio on Wikipedia:


Billy Collins, a former student of Peters and now a noted poet in his own right, once described Peters' poetry: "[…] modifies poetic language and breaks new artistic ground. By combining playful rhymes with painfully serious matter, he has returned new tonal possibilities to poetry. By fully exploiting the metaphor of the body, […] he has provided a fresh code for the expression of feeling ..."

Poet and author of Iron John, Robert Bly, wrote about Peters' American Poetry Bakeoff book of criticism as "not maternal ... insights are set down simply, unornamented, as if intended to glance off, and yet I think they are important, and belong to the center ... He deserves numerous readers, particularly among young poets dissatisfied with the celebrities who keep writing the same poem over and over again ... [His] essay on Robert Creeley is superb; the best essay on his work I know."

He has been published by both large and small presses, including W.W. Norton, Wayne State University Press, Crossing Press, New Rivers Press, Cherry Valley Editions, Unicorn Press, GLB Publishing, Paragon House, Chiron Review Press and University of Wisconsin Press. In the fall of 2001, the 40th volume of his Familial Love and Other Misfortunes was published by Red Hen Press. Peters has served as a contributing editor for The American Book Review, Contact II and Paintbrush.

R.I.P.  Robert Peters 
October 20, 1924 – June 13, 2014


Monday, August 11, 2014

Window on Pike Place by Martin F. Sorensen





  • File Size: 823 KB
  • Print Length: 300 pages
  • Publisher: Sand Hill Review Press; 1 edition (July 31, 2014)
  • Sold by: Amazon Digital Services, Inc.

 
Rachel McAlister saves Joshua Todaro’s life on an Afghanistan battlefield. Back home in Seattle, he asks her to marry him. But someone murders Joshua in his Pike Place apartment and frames Rachel. On trial, she holds on to the only two things in the world that she can trust: her love for Joshua, and the battlefield bullet he gave her. She has to hope she can figure out who set her up before it’s too late.

We follow Rachel as she is arrested and framed for the murder of her fiancee Joshua, whose life she saved when they were both in Afghanistan. She is promptly thrown in jail and forced to use her wits prove her own innocence. Her attorney Meredith and other friends strive to help her do this, but who exactly is Rachel's ally, and who is really her enemy, is something the writer keeps us guessing about until the shocking finale at an isolated mountain cabin.

The twists and turns of this Seattle-set page-turner will keep you up all night, unable to put it down. You can almost smell the gritty streets, feel the roiling crowds around downtown Seattle and Pike Place, and hear the wailing of sirens in the distance. If you like your Maltese Falcons, your Hitchcock films and your urban crime murder-mysteries, this is the perfect pick for your next read.

About the author....

Marty Sorensen has been the publisher of literary anthologies for over 15 years and he has started many a writer on their way to success. Always in the wings and never in the spotlight, Sorensen has finally allowed the
release of one of his best stories,
Window on Pike Place.

Friday, July 25, 2014

INSTINCT ART GALLERY'S Self and Others




 
Self and Others reminds us why portrait painting will never die: we can never fully understand ourselves or others, nor keep from trying.  Opening Saturday July 26 with a reception from 6:00 to 8:00 p.m., Self and Others runs through September 6. Instinct Art Gallery is located at 940 Nicollet Mall, Minneapolis, MN. 
Gallery hours are Wednesday through Friday, noon to 6:00 p.m., and Saturday from 11:00 a.m. to 5:00 p.m. The exhibition is curated by John Schuerman and features the art of Frank Gaard, Pamela Gaard, Stu Mead, and Nancy Robinson. 


 About the Artists:
For many years Nancy Robinson has painted narratives with herself as the protagonist.  She runs away from creepy people on the streets, finds herself painting a clothed model without her own clothes on, is the girl that walks into a bar and feels all male eyes turn, finds herself waking up in bed with a Pinocchio-like being, and is in the Garden of Eden as both Adam and Eve.  These are dreamy sequences we relate to, because we too know, that the world is weird and really like that, and we could easily be there in her place. These are not pretend, 'dress-up' self-portraits in the vein of Max Beckman or Cindy Sherman, they are real stories.

Frank and Pamela Gaard have been creating dual portraits of family, and people they've met along the way.  In part, it is socializing.  Pamela says, 'it's a way to get to know someone on a Thursday morning'.  Frank does a lot of the talking and engaging of the subject.  His portraits are comic, expressionist, and cut to the core -to the one bright color within. Pamela takes the quieter observational vantage point.  She distills the person and flavors them with touches of realism. "I think a portrait's successful when I catch that verisimilitude; maybe it's the psychology of the person or just a quirk that they do which is recognized by those that know them well."  The dual portrait is synergistic. We see the person at one moment in time, through two different artists.  They make the complexity of a living human being visible like no other static portraits.


Stuart Mead as a portrait painter -is able to pierce visual reality, sweep away the irrelevant visual cues and render and  accentuate the ones that tease the mind --and still we think, 'that really must be what she looks like'.  We get a true likeness of the sitter, 'the other' but heavy with Stu's gaze and what he wants of them, his 'self'. Hailed (and dissed) for  his desirous overtones, he calls you. Come decide for yourself if these are not wonderful portraits.

Thursday, July 24, 2014

Gods For Future Religions by Ho Baron



Ho Baron has devoted 30 years to creating his collection of intuitively modeled sculptures that firmly establish him as a visionary artist. In Gods for Future Religions, the artist weaves a story of a mythical kingdom where his surreal sculptures play Jungian archetypal roles. Seventy sculptures are boldly and beautifully displayed along with his lively interpretation of his imagery. His personal anecdotes, observations and artist's story enhance his narrative as he unveils the steps of his visionary creative growth. The 119 color and black-and-white illustrations also highlight samples of his earlier pen-and-ink drawings and experimental drawing on his photographs. Written for a general audience, this title will appeal to all readers with imagination. Baron's earlier work, El Paso: A Hoverview, is in public, academic and art libraries across the country. With line drawings in the skies of cityscapes, the work is an experimental photographic exploration of his hometown. Now with Gods for Future Religions, Baron focuses on his surreal reliefs and three-dimensional sculpture, allegorically interpreting them into a worldly fable. Raised in El Paso on the Mexican border, after receiving his MA in English Baron taught in the Peace Corps in Nigeria and Ethiopia in the 1960's. He later settled in Antwerp, Belgium as the resident photographer in a cartoonists' collective. In the late 70's, Baron returned to the US and began his studies in sculpture, first at the Philadelphia College of Art and later at the University of Texas. His sculpture has been widely exhibited in museums and galleries in the US and Mexico and in public art venues. He is a retired librarian/instructor and a full-time artist.


Get the Paperback or Kindle version on Amazon  ............. 
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