The dance form we call "belly dancing" is derived from traditional women's dances of the Middle East and North Africa. Women have always belly danced, at parties, at family gatherings, and during rites of passage. A woman's social dancing eventually evolved into belly dancing as entertainment ("Dans Oryantal" in Turkish and "Raqs Sharqi" in Arabic). Although the history of belly dancing is murky prior to the late 1800s, many experts believe its roots go back to the temple rites of India. Probably the greatest misconception about belly dance is that it is intended to entertain men. Because segregation of the sexes was common in the part of the world that produced belly dancing, men often were not allowed to be present.
That belly dance developed from
social dancing helps explain its long lasting popularity. Belly dancing offers
women a community of friends that share and celebrate joy in music, and creates
self-confidence through artistic self-expression, in an art form that embraces
all body types.
Belly
dance is natural to a woman's bone and muscle structure. The movements center
on the torso rather than the legs and feet, as is common in Western dance. The
belly dancer isolates parts of her body, to move each independently in a
completely feminine interpretation of the music. The music seems to emanate
from her body, as sometimes she emphasizes the rhythm, sometimes the melody of
the song. Bellydance is often performed barefoot, now thought by many to
signify the intimate and ancient physical connection between the dancer, the
music, and Mother Earth, although historically, most dancers were barefoot
because they could not afford shoes.
Belly dance was introduced to
America when a dancer known as Little Egypt performed at the Chicago World's
Fair in 1893. Americans were fascinated (and scandalized!) by the freedom and
rhythms of the dance and the music, and thus began a fascination with the
"exotic Orient." Early Hollywood fell in love with the dancing girls
and created glamorous flowing costumes based as much on Leon Bakst's fantasies
as on garments of the Middle East. Dancers in the Middle East, who were
developing belly dance in its native lands, adopted these colorful
interpretations.
Veils are a popular part of the
belly dance performance, as are finger cymbals - known as "zills" in
Turkish and "sagat" in Arabic. Many belly dancers are also skilled at
belly dancing while balancing swords, brass trays, or even candelabrum,
complete with flaming candles (also known as "shamandan"). by Suzy Evans
.

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